Tom Felton’s recent return to the stage as Draco Malfoy in Broadway’s Harry Potter and the Cursed Child has sparked renewed interest, propelling the show to the top of the box office charts with an impressive gross of nearly $3 million. This performance outshined even the last week of Leslie Odom Jr.’s limited return to Hamilton, which earned approximately $2.75 million.

Felton, known for his role in the Harry Potter film series, is the first original film actor from the franchise to reprise his character on stage. He originally played Draco as a child in the movies and resumed the role as an adult in the stage sequel starting November 11. He is scheduled to perform until May 10, 2026.

Despite the success of Potter, Hamilton, Ragtime, and a few other shows last week—ending December 7—the overall Broadway business experienced a noticeable decline compared to the holiday week. Total ticket sales across 34 productions reached roughly $42.6 million, marking a 12% decrease from the previous week’s $48.4 million. Attendance dipped slightly, with about 2% fewer attendees—291,637 compared to 297,902—and average ticket prices fell over $16, settling at approximately $146.

The Queen of Versailles, featuring Kristin Chenoweth at the St. James Theatre, struggled with weaker numbers, filling only around 74% of seats and grossing just over $694,000 at an average ticket price of $90.10. The production’s producers announced an earlier closing date—December 21—pushed up from an initial plan of January 4.

Among the newer productions, Ragtime at Lincoln Center’s Vivian Beaumont Theatre and Chess at the Imperial Theatre stood out. Ragtime achieved a sold-out run, grossing over $1.26 million, while Chess filled 92% of seats, earning nearly $2 million, making it the fifth highest grossing show after Potter, Hamilton, Wicked, and The Lion King.

Top-selling shows last week included Art, Hamilton, Harry Potter and the Cursed Child, Just in Time, Oh, Mary!, Ragtime, Waiting for Godot, and Wicked. The highest average ticket prices were seen with Hamilton ($259), Just in Time ($255), Potter ($227), Art ($202), and Chess ($183). Wicked and Waiting for Godot also commanded premium prices, averaging around $175.

Additional noteworthy figures for the week:

• Oedipus at Studio 54, starring Mark Strong and Lesley Manville, saw a slight decline, grossing $792,294—about $54,000 less than the previous week—possibly due to some missed performances.
• The recently opened Marjorie Prime at the Hayes Theatre, starring June Squibb and Cynthia Nixon, performed well, reaching 93% capacity and grossing roughly $283,000 during seven previews.
• New productions Liberation at the James E. Jones Theatre and Little Bear Ridge Road at the Booth Theatre received mixed reviews, filling 55% and 68% of seats respectively, with grosses of approximately $379,000 and $422,000.
• Two Strangers, a play about carrying a cake across New York, grossed $627,565 at the Longacre Theatre, with about 73% of seats filled.

Year-to-date, Broadway’s 28th week of the 2025-26 season has generated over $1 billion in gross revenue, representing an 11% increase from the same period last year. Total attendance now exceeds 7.6 million, up 4%.

All data is provided by the Broadway League. For further box office insights, visit their official website.

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